{"id":1883,"date":"2022-06-03T21:38:13","date_gmt":"2022-06-03T21:38:13","guid":{"rendered":"http:\/\/visitflorencemuseums.com\/?p=1883"},"modified":"2023-06-09T07:57:33","modified_gmt":"2023-06-09T07:57:33","slug":"ett-raphael-inspirerat-florens","status":"publish","type":"post","link":"https:\/\/visitflorencemuseums.com\/sv\/a-raphael-inspired-florence\/","title":{"rendered":"Ett Rafael-inspirerat Florens"},"content":{"rendered":"<p>H\u00f6sten 1504 \u00e5r 1504, ung&nbsp;<strong>Raffaello Sanzio<\/strong>&nbsp;tog ryggen p\u00e5 en mula och b\u00f6rjade ta sig fram l\u00e4ngs de bergiga v\u00e4garna som ledde till Urbino. Till en b\u00f6rjan kunde det ha verkat som ett dumt val f\u00f6r konstn\u00e4ren att l\u00e4mna sin hemstad under hans tidiga \u00e5r. Till slut blev den f\u00f6r\u00e4ldral\u00f6sa Raphael arvtagare till sin fars framg\u00e5ngsrika m\u00e5laratelj\u00e9 och vackra hem bel\u00e4get p\u00e5 en kullgata i stadens centrum. Han tog ocks\u00e5 \u00f6ver sin fars jobb att m\u00e5la hovet i tj\u00e4nst hos hertigen och hertiginnan av Urbino.<\/p>\n\n\n\n<p>Inom bekv\u00e4mligheten av det hertigliga hovet \u00e5tnj\u00f6t Raphael ett litet stipendium och en stadig str\u00f6m av uppdrag att m\u00e5la samt st\u00f6d fr\u00e5n rika mecenater. Varf\u00f6r skulle han l\u00e4mna denna privilegierade position?<\/p>\n\n\n\n<p>Svaret \u00e4r enkelt. Svaret \u00e4r enkelt: \u00e5r 1504,&nbsp;<strong>Florens<\/strong>&nbsp;skulle ha varit den b\u00e4sta platsen att vara p\u00e5. I likhet med hur en ivrig musikteaterstudent i nutiden kan \u00f6nska sig att &quot;sl\u00e5 igenom stort&quot; i New York City, var Florens p\u00e5 1500-talet en plats med en obestridlig dragningskraft f\u00f6r konstn\u00e4rer som ville g\u00f6ra ett avtryck i konsthistorien.<\/p>\n\n\n\n<p>\u00c4ven om vissa delar av firandet av konstn\u00e4rens d\u00f6d 2020 \u2013 firandet av 500 \u00e5r sedan konstn\u00e4rens d\u00f6d \u2013 har \u00e4ndrats eller st\u00e4llts in p\u00e5 grund av pandemin som sprider sig \u00f6ver hela v\u00e4rlden, kan vi fortfarande beundra Raphaels verk i konsthistorien, och s\u00e4rskilt hans inflytande p\u00e5 Florens som stad. Florens.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>ETT O\u00d6VERTR\u00c4FFAT \u00d6GONBLICK I KONSTHISTORIEN<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Den dagen Rafael var i Florens,\u00a0<strong><a href=\"https:\/\/www.accademiagallery.org\/the-david-by-michelangelo\/\" target=\"_blank\" rel=\"noreferrer noopener\">Michelangelos ikoniska skulptur av David<\/a> <\/strong>avt\u00e4cktes p\u00e5 Piazza della Signoria. Dess m\u00e5lning p\u00e5\u00a0<strong>Leonardo da Vincis<\/strong>\u00a0Det senaste portr\u00e4ttet (en representation av en viss Lisa gift med den rike ullhandlaren) var fortfarande fuktigt. <\/p>\n\n\n\n<p>Florentinska myndigheter hade nyligen \u00f6vertygat de tv\u00e5 konstn\u00e4rerna att delta i en \u00f6ppen t\u00e4vling f\u00f6r nya v\u00e4ggm\u00e5lningar p\u00e5 <strong><a href=\"http:\/\/visitflorencemuseums.com\/sv\/palats-vecchio\/\" target=\"_blank\" data-type=\"page\" data-id=\"2658\" rel=\"noreferrer noopener\">Palazzo Vecchio<\/a><\/strong>Ut\u00f6ver <strong><a href=\"https:\/\/www.visituffizi.com\/leonardo-da-vinci\/\" target=\"_blank\" rel=\"noreferrer noopener\">Da Vinci<\/a><\/strong> och <strong><a href=\"https:\/\/www.visituffizi.com\/michelangelo\/\" target=\"_blank\" rel=\"noreferrer noopener\">Michelangelo<\/a><\/strong>, Florens gator var fyllda av artister som Sandro Botticelli, Andrea della Robbia, Piero di Cosimo, Davide Ghirlandaio, Simone del Pollaiuolo Antonio samt Giuliano da Sangallo Andrea Sansovino, Pietro Perugino, Filippino Lippi, och m\u00e5nga andra som nu anses vara den m\u00e4ktigaste Renaissansen i Italien. <\/p>\n\n\n\n<p>Vem av de ambiti\u00f6sa konstn\u00e4rerna skulle inte vilja kasta sig huvudstupa in i denna sp\u00e4nnande gryta av kreativitet?<\/p>\n\n\n\n<p>Rafael hade turen att ta sig till Florens med bara en handfull kontakter. Det \u00e4r m\u00f6jligt att han hade ett introduktionsbrev med sina m\u00e4ktiga mecenater fr\u00e5n Urbino, och hans l\u00e4rare, Perugino, kan ha varit en mentor f\u00f6r den spirande konstn\u00e4ren genom att ge inledande uppdrag i Florens. <\/p>\n\n\n<style>.kb-row-layout-id_90d5a6-ee > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_90d5a6-ee > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_90d5a6-ee > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id_90d5a6-ee > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_90d5a6-ee > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id_90d5a6-ee > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_90d5a6-ee alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_f9f4f4-ea > .kt-inside-inner-col,.kadence-column_f9f4f4-ea > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_f9f4f4-ea > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_f9f4f4-ea > .kt-inside-inner-col{flex-direction:column;}.kadence-column_f9f4f4-ea > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_f9f4f4-ea > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_f9f4f4-ea{position:relative;}@media all and (max-width: 1024px){.kadence-column_f9f4f4-ea > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_f9f4f4-ea > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_f9f4f4-ea\"><div class=\"kt-inside-inner-col\"><style>.kb-image_c8e237-84 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image_c8e237-84\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"480\" src=\"http:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/06\/35.jpg\" alt=\"Rafael\" class=\"kb-img wp-image-4646\" title=\"\" srcset=\"https:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/06\/35.jpg 730w, https:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/06\/35-300x197.jpg 300w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption>Madonna col Bambino e San Giovannino detta &quot;Madonna del Cardellino&quot;<\/figcaption><\/figure><\/div>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p>Han b\u00f6rjade arbeta p\u00e5 tv\u00e5 altartavlor som var stora nog f\u00f6r perugiska klienter, den k\u00e4nda som Ansidei Madonna och Baglioni-altaret. Han designade ocks\u00e5 en altartavla som skulle anv\u00e4ndas i ett kapell i Santo Spirito.<\/p>\n\n\n\n<p>I teckningarna fr\u00e5n Rafaels florentinska period (1504-1508) f\u00e5r vi skissartade skisser som visar Michelangelos David och hans f\u00f6rs\u00f6k att imitera h\u00e4nder, ansikten, draperier och andra element som skapades av dessa ber\u00f6mda florentinska konstn\u00e4rer. <\/p>\n\n\n\n<p>Rafael studerade och observerade. Under tiden utvecklade konstn\u00e4ren sin egen stil. Inom kort bel\u00f6nades det h\u00e5rda arbete han lade ner; p\u00e5ven Julius II lockade Rafael till Rom \u00e5r 1508.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>VAR MAN KAN SE RAPHAELS VERK I FLORENS<\/strong><\/h3>\n\n\n\n<div data-gyg-href=\"https:\/\/widget.getyourguide.com\/default\/activities.frame\" data-gyg-locale-code=\"en-US\" data-gyg-widget=\"activities\" data-gyg-number-of-items=\"3\" data-gyg-partner-id=\"Z35Q282\" data-gyg-tour-ids=\"414636,221814,395926\"><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Majoriteten av Rafaels mest ber\u00f6mda m\u00e5lningar finns inom&nbsp;<strong>Rom<\/strong>&nbsp;i Italien, staden d\u00e4r Rafael bosatte sig f\u00f6re sin alltf\u00f6r tidiga d\u00f6d vid 37 \u00e5rs \u00e5lder. Men i Florens \u00e4r det l\u00e4tt att beundra hans fantastiska tekniska skicklighet och distinkta vision. Det \u00e4r en stil som \u00e4r mer gemensam med hans tid under h\u00f6gren\u00e4ssansen \u00e4n med n\u00e5gon annan konstn\u00e4rs. I Florens kan vi se tankarna hos en ung, ambiti\u00f6s konstn\u00e4r som var redo att ge Michelangelo och Da Vinci en match.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>P\u00c5 UFFICI-GALLERIERNA<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a href=\"http:\/\/visitflorencemuseums.com\/sv\/uffizi-galleriet\/\" target=\"_blank\" data-type=\"page\" data-id=\"2643\" rel=\"noreferrer noopener\">Uffizierna<\/a><\/strong> nyligen renoverade sina ren\u00e4ssansgallerier och har nu lagt till rum som belyser samarbetena mellan Rafael, Michelangelo och deras kollegor under 1500-talets f\u00f6rsta \u00e5r. Detta sp\u00e4nnande arrangemang hj\u00e4lper bes\u00f6kare att uppt\u00e4cka kopplingarna mellan dessa ber\u00f6mda konstn\u00e4rer, som f\u00f6rv\u00e5nansv\u00e4rt nog ocks\u00e5 levde under samma period och i samma utrymme.<\/p>\n\n\n\n<p><strong>Sj\u00e4lvportr\u00e4tt, olja p\u00e5 pann\u00e5, 1504-1506<\/strong><\/p>\n\n\n\n<p>Den lilla bilden har l\u00e4nge ansetts vara en bild av sj\u00e4lvportr\u00e4tt fr\u00e5n konstn\u00e4rens unga \u00e5lder och ger oss en uppfattning om Rafael som l\u00e4mnar Urbino f\u00f6r att utforska sk\u00f6nheten och sp\u00e4nningen i Florens \u00e5r 1504.<\/p>\n\n\n\n<p><strong>Portr\u00e4tt av Maddalena Strozzi och Agnolo Doni Oil p\u00e5 panel 1504-1507<\/strong><\/p>\n\n\n\n<p>Familjen Doni erbj\u00f6d Raphael det f\u00f6rsta viktiga m\u00e5lningsuppdraget i Florens. Det nygifta paret hade en stark koppling till staden Florens och presenterade troligen Raphael f\u00f6r sina bekanta. En intressant egenskap hos dessa m\u00e5lningar \u00e4r att de troligen \u00e4r g\u00e5ngj\u00e4rnsf\u00f6rsedda och utformade f\u00f6r att kunna ses b\u00e5de bakifr\u00e5n och framifr\u00e5n. <\/p>\n\n\n\n<p>Mytologiska scener med neutrala, d\u00e4mpade toner \u00e4r m\u00e5lade p\u00e5 portr\u00e4ttens baksidor av en icke namngiven konstn\u00e4r som endast var k\u00e4nd som Serumidom\u00e4staren. Under samma period som Rafael m\u00e5lade detta portr\u00e4tt m\u00e5lade Michelangelo en stor cirkul\u00e4r m\u00e5lning (en tondo) f\u00f6r att fira Doni, kanske f\u00f6r att markera tillf\u00e4llet f\u00f6r det l\u00e4nge efterl\u00e4ngtade barnets ankomst. Man tror att Doni Tondo nu st\u00e5r i samma galleri som portr\u00e4tten.<\/p>\n\n\n\n<p><strong>Madonnan av stegliten, olja p\u00e5 pann\u00e5 1504-1506<\/strong><\/p>\n\n\n\n<p>Madonnaer var grunden f\u00f6r Raphaels livn\u00e4ring under hela hans karri\u00e4r. De var varma kakor p\u00e5 marknaden, och Raphael skapade var och en av bilderna som avbildade madonnaer f\u00f6r att \u00e5terspegla Jungfru Maria och barnet f\u00f6r att passa sina kunder. <\/p>\n\n\n\n<p>Den som visas h\u00e4r skapades f\u00f6r hans beskyddare och mecenat, Lorenzo Nasi, m\u00f6jligen med anledning av Nasis br\u00f6llop. Enligt aktuella k\u00e4llor f\u00f6rst\u00f6rdes m\u00e5lningen n\u00e4stan i en jordb\u00e4vning \u00e5r 1548, men den sattes ihop igen. Fr\u00e5n 2002 till 2008 genomgick denna m\u00e5lning en omfattande restaurering.<\/p>\n\n\n\n<p><strong>Senare och tidigare verk av Raphael finns p\u00e5 Uffizierna:<\/strong><\/p>\n\n\n\n<p>* <strong>Portr\u00e4tten av Elisabetta Gonzaga<\/strong> och <strong>Guidobaldo da Montefeltro omkring 1504<\/strong>Dessa fascinerande portr\u00e4tt visar b\u00e5de hertiginnan och hertigen av Urbino, som skulle ha varit missn\u00f6jda med att bevittna hur deras hovm\u00e5lare Raphael l\u00e4mnade staden i jakt p\u00e5 b\u00e4ttre m\u00f6jligheter i Florens s\u00e5v\u00e4l som Rom. <\/p>\n\n\n\n<p><strong>Portr\u00e4ttet f\u00f6rest\u00e4ller en ung man med ett \u00e4pple<\/strong>, cirka 1504. Det kan vara Francesco Maria I della Rovere som Elisabetta adopterade, Guidobaldo (ovan), Guidobaldo (ovan) och deras \u00e4ttlingar till hertigd\u00f6met Urbino.<\/p>\n\n\n\n<p>\u00a0* <strong>Portr\u00e4tt av Julius II 1511-1512<\/strong>Det finns olika varianter av detta portr\u00e4tt. Rafaels beskydd av Rom; Julius best\u00e4llde Rafael att rita Skolan i Atens och andra viktiga verk av P\u00e5vens palats. P\u00e5vepalatset.<\/p>\n\n\n\n<p>\u00a0* <strong>P\u00e5ven Leo X <\/strong>med <strong>Kardinalerna Giulio de Medici<\/strong> och <strong>Luigi de Rossi, 1518<\/strong>P\u00e5ven Leo X var son till Lorenzo de Medici, och f\u00f6r Rafael sammanfl\u00e4tade bilden den florentinska s\u00e5v\u00e4l som den romerska maktens universum.<\/p>\n\n\n\n<div data-gyg-href=\"https:\/\/widget.getyourguide.com\/default\/activities.frame\" data-gyg-locale-code=\"en-US\" data-gyg-widget=\"activities\" data-gyg-number-of-items=\"3\" data-gyg-partner-id=\"Z35Q282\" data-gyg-tour-ids=\"395877,412371,57076\"><\/div>\n\n\n\n<p><strong>I PALATINE-GALLERIET P\u00c5 PITTI-PALATSET<\/strong><\/p>\n\n\n\n<p><em>Madonna of the Grand Duke (Madonna del Granduca), olja p\u00e5 tr\u00e4 1505<\/em><\/p>\n\n\n\n<p>Det \u00e4r s\u00e4kert att Rafael hade ett n\u00e4ra m\u00f6te med Leonardo da Vincis verk i Florens. Madonnan \u00e5terspeglar Leonardo i anv\u00e4ndandet av sfumato, vilket \u00e4r en r\u00f6kliknande uppmjukning av linjer. M\u00e5lningens titel \u00e4r h\u00e4rledd fr\u00e5n Ferdinand III, storhertig av Toscana, som hade m\u00e5lningen i sin samling.<\/p>\n\n\n\n<p><em>Portr\u00e4tt av en gravid kvinna (La Donna Gravida) Olja p\u00e5 pann\u00e5er 1505-1506.<\/em><\/p>\n\n\n\n<p>Jag tycker att detta \u00e4r ett av hans mest intressanta verk p\u00e5 grund av dess tvetydighet. Gravida kvinnor var ett s\u00e4llsynt motiv i italiensk ren\u00e4ssanskonst. Vi vet inte vem hon \u00e4r, hon ser ganska ledsen ut och h\u00e5ller i sin v\u00e4xande midja. <\/p>\n\n\n\n<p>Rafael har m\u00e5lat kvinnan ikl\u00e4dd en \u00f6verd\u00e5dig kl\u00e4nning, men det finns n\u00e5got med hennes utseende som, liksom hans tidigare portr\u00e4tt av Margherita Luti, ger intrycket av att Rafael kan ha blivit p\u00e5verkad att m\u00e5la henne, inte av en h\u00f6gklassig kvinna eller fiskhandlaren eller fruktf\u00f6rs\u00e4ljaren som han st\u00f6tte p\u00e5 p\u00e5 den florentinska marknaden.<\/p>\n\n\n\n<p><em>Madonna del Baldacchino, olja p\u00e5 duk, 1507-1508<\/em><\/p>\n\n\n\n<p>M\u00e5lningen var hans f\u00f6rsta stora projekt i Florens, skapad f\u00f6r att dekorera Dei-kapellet i Santo Spiritos kyrka, Santo Spirito. Bilden \u00e5terinf\u00f6r kultkonceptet sacra conversazione, \u00e4ven k\u00e4nt som &quot;heligt samtal&quot; mellan helgon och Madonnan. Papa Julius II kallade Rafael till Rom \u00e5r 1508, men bilden f\u00e4rdigst\u00e4lldes inte.<\/p>\n\n\n\n<p><strong>Andra senare verk av Raphael finns inrymda i Palazzo Pitti:<\/strong><\/p>\n\n\n\n<p>* <strong>Kvinna i sl\u00f6ja (Donna Velata)<\/strong>, 1512-1515. Detta portr\u00e4tt m\u00e5lades i Rom. Rafaels \u00e4lskarinna, Margherita Luti (k\u00e4nd som Fornarina, \u00e4ven k\u00e4nd som bagarens barn), fungerade troligen som modell.<\/p>\n\n\n\n<p>\u00a0* <strong>Madonna dell&#039;Impannata, 1513-1514<\/strong>M\u00e5nga konsthistoriker menar att den h\u00e4r bilden fr\u00e4mst skapades av Raphaels assistenter.<\/p>\n\n\n\n<p>\u00a0* <strong>Madonna della Seggiola, 1514<\/strong> Den fantastiska tondon tycks f\u00e5nga den italienska ren\u00e4ssansens sk\u00f6nhet och har inspirerat generationer av konstn\u00e4rer.<\/p>\n\n\n\n<p>\u00a0<strong>Portr\u00e4tt av Tommaso Inghirami 1516<\/strong>Inghirami \u00e4r en forskare, sk\u00e5despelare, f\u00f6rfattare och akademiker som tr\u00e4ffade Rafael inom p\u00e5vens krets. Inghirami led av ett tillst\u00e5nd som f\u00f6rhindrade \u00f6gonh\u00e5llning. Det \u00e4r detta som Rafael f\u00e5ngade i detta sp\u00e4nnande portr\u00e4tt.<\/p>\n\n\n\n<p>\u00a0<strong>Portr\u00e4tt av kardinal Bibbiena 1516<\/strong>Bibbiena, p\u00e5ve Leos sekreterare och en extremt v\u00e4lkopplad medarbetare i Rafaels hem i Rom, var ocks\u00e5 en komedi- och litteraturf\u00f6rfattare.<\/p>\n\n\n\n<p>\u00a0*<strong>Hesekiels syn 1518<\/strong>Ren\u00e4ssanskonstn\u00e4ren Giorgio Vasari skrev att Vincenzo Ercolani, en bolognesisk adelsman, fick i uppdrag av Rafael att m\u00e5la motivet. Stilm\u00e4ssigt visar det hur Michelangelos inflytande p\u00e5verkade hans tak i Sixtinska kapellet, vilket Rafael s\u00e4kerligen var bekant med.<\/p>\n\n\n\n<div data-gyg-href=\"https:\/\/widget.getyourguide.com\/default\/activities.frame\" data-gyg-locale-code=\"en-US\" data-gyg-widget=\"activities\" data-gyg-number-of-items=\"3\" data-gyg-partner-id=\"Z35Q282\" data-gyg-tour-ids=\"395877,412371,57076\"><\/div>\n\n\n\n<p><a href=\"http:\/\/visitflorencemuseums.com\/sv\/giorgio-vasari-italys-treasure-from-1511-to-1574\/\">Du kanske ocks\u00e5 \u00e4r intresserad<\/a><\/p>\n\n\n<style>.kb-row-layout-id_9654cd-c4 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id_9654cd-c4 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id_9654cd-c4 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id_9654cd-c4 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id_9654cd-c4 > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id_9654cd-c4 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id_9654cd-c4 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column_8afefd-82 > .kt-inside-inner-col,.kadence-column_8afefd-82 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_8afefd-82 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_8afefd-82 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_8afefd-82 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column_8afefd-82 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column_8afefd-82{position:relative;}@media all and (max-width: 1024px){.kadence-column_8afefd-82 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column_8afefd-82 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column_8afefd-82\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-column.kb-section-dir-horizontal > .kt-inside-inner-col > .kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap{max-width:unset;}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap{border-bottom:10px solid #87d9fe;border-top-left-radius:5px;border-top-right-radius:5px;border-bottom-right-radius:5px;border-bottom-left-radius:5px;background:rgba(153, 238, 245, 0.45);padding-top:3px;padding-right:3px;padding-bottom:3px;padding-left:3px;margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap:hover{background:#fffcfc;}.kt-info-box_27353a-90.wp-block-kadence-infobox{max-width:100%;}.kt-info-box_27353a-90 .kadence-info-box-image-inner-intrisic-container{max-width:500px;}.kt-info-box_27353a-90 .kadence-info-box-image-inner-intrisic-container .kadence-info-box-image-intrisic{padding-bottom:75%;width:500px;height:0px;max-width:100%;}.kt-info-box_27353a-90 .kadence-info-box-icon-container .kt-info-svg-icon, .kt-info-box_27353a-90 .kt-info-svg-icon-flip, .kt-info-box_27353a-90 .kt-blocks-info-box-number{font-size:50px;}.kt-info-box_27353a-90 .kt-blocks-info-box-media{color:#444444;border-radius:4px;overflow:hidden;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.kt-info-box_27353a-90 .kt-blocks-info-box-media-container{margin-top:0px;margin-right:0px;margin-left:0px;}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap:hover .kt-blocks-info-box-media{color:#444444;}.kt-info-box_27353a-90 .kt-infobox-textcontent h3.kt-blocks-info-box-title{text-transform:uppercase;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top:5px;margin-right:0px;margin-bottom:10px;margin-left:0px;}.kt-info-box_27353a-90 .kt-infobox-textcontent .kt-blocks-info-box-text{color:#555555;}.kt-info-box_27353a-90 .kt-blocks-info-box-text{min-height:100px;}.kt-info-box_27353a-90 .kt-blocks-info-box-learnmore{background:transparent;border-color:#555555;border-width:0px 0px 0px 0px;padding-top:4px;padding-right:8px;padding-bottom:4px;padding-left:8px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap:hover .kt-blocks-info-box-learnmore,.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap .kt-blocks-info-box-learnmore:focus{color:#ffffff;background:#444444;border-color:#444444;}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap{box-shadow:3px 2px 8px 2px rgba(0, 0, 0, 0);}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap:hover{box-shadow:0px 0px 9px 0px rgba(0, 0, 0, 0.2);}@media all and (max-width: 1024px){.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap{border-bottom:10px solid #87d9fe;box-shadow:3px 2px 8px 2px rgba(0, 0, 0, 0);}}@media all and (max-width: 1024px){.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap:hover{box-shadow:0px 0px 9px 0px rgba(0, 0, 0, 0.2);}}@media all and (max-width: 767px){.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap{border-bottom:10px solid #87d9fe;box-shadow:3px 2px 8px 2px rgba(0, 0, 0, 0);}.kt-info-box_27353a-90 .kt-blocks-info-box-link-wrap:hover{box-shadow:0px 0px 9px 0px rgba(0, 0, 0, 0.2);}}<\/style>\n<div class=\"wp-block-kadence-infobox kt-info-box_27353a-90\"><a class=\"kt-blocks-info-box-link-wrap info-box-link kt-blocks-info-box-media-align-top kt-info-halign-center\" href=\"http:\/\/visitflorencemuseums.com\/sv\/palazzo-pitti\/\"><div class=\"kt-blocks-info-box-media-container\"><div class=\"kt-blocks-info-box-media kt-info-media-animate-none\"><div class=\"kadence-info-box-image-inner-intrisic-container\"><div class=\"kadence-info-box-image-intrisic kt-info-animate-none kb-info-box-image-ratio kb-info-box-image-ratio-land43\"><div class=\"kadence-info-box-image-inner-intrisic\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/08\/PITTI-PALACE-1.jpg\" alt=\"PITTI-PALATSET\" width=\"500\" height=\"300\" class=\"kt-info-box-image wp-image-3584\" title=\"\" srcset=\"https:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/08\/PITTI-PALACE-1.jpg 500w, https:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/08\/PITTI-PALACE-1-300x180.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/div><\/div><\/div><\/div><\/div><div class=\"kt-infobox-textcontent\"><h3 class=\"kt-blocks-info-box-title\">PITTI-PALATSET<\/h3><p class=\"kt-blocks-info-box-text\">Detta palats \u00e4r enormt och ett av Florens viktigaste arkitektoniska monument.<\/p><\/div><\/a><\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column_30bec6-c2 > .kt-inside-inner-col,.kadence-column_30bec6-c2 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column_30bec6-c2 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column_30bec6-c2 > .kt-inside-inner-col{flex-direction:column;}.kadence-column_30bec6-c2 > 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0.45);padding-top:3px;padding-right:3px;padding-bottom:3px;padding-left:3px;margin-top:0px;margin-right:0px;margin-bottom:0px;margin-left:0px;}.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap:hover{background:#fffcfc;}.kt-info-box_f745e3-68.wp-block-kadence-infobox{max-width:100%;}.kt-info-box_f745e3-68 .kadence-info-box-image-inner-intrisic-container{max-width:500px;}.kt-info-box_f745e3-68 .kadence-info-box-image-inner-intrisic-container .kadence-info-box-image-intrisic{padding-bottom:75%;width:500px;height:0px;max-width:100%;}.kt-info-box_f745e3-68 .kadence-info-box-icon-container .kt-info-svg-icon, .kt-info-box_f745e3-68 .kt-info-svg-icon-flip, .kt-info-box_f745e3-68 .kt-blocks-info-box-number{font-size:50px;}.kt-info-box_f745e3-68 .kt-blocks-info-box-media{color:#444444;border-radius:4px;overflow:hidden;border-top-width:0px;border-right-width:0px;border-bottom-width:0px;border-left-width:0px;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.kt-info-box_f745e3-68 .kt-blocks-info-box-media-container{margin-top:0px;margin-right:0px;margin-left:0px;}.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap:hover .kt-blocks-info-box-media{color:#444444;}.kt-info-box_f745e3-68 .kt-infobox-textcontent h3.kt-blocks-info-box-title{text-transform:uppercase;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top:5px;margin-right:0px;margin-bottom:10px;margin-left:0px;}.kt-info-box_f745e3-68 .kt-infobox-textcontent .kt-blocks-info-box-text{color:#555555;}.kt-info-box_f745e3-68 .kt-blocks-info-box-learnmore{background:transparent;border-color:#555555;border-width:0px 0px 0px 0px;padding-top:4px;padding-right:8px;padding-bottom:4px;padding-left:8px;margin-top:10px;margin-right:0px;margin-bottom:10px;margin-left:0px;}.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap:hover .kt-blocks-info-box-learnmore,.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap .kt-blocks-info-box-learnmore:focus{color:#ffffff;background:#444444;border-color:#444444;}.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap{box-shadow:3px 2px 8px 2px rgba(0, 0, 0, 0);}.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap:hover{box-shadow:0px 0px 9px 0px rgba(0, 0, 0, 0.2);}@media all and (max-width: 1024px){.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap{border-bottom:10px solid #87d9fe;box-shadow:3px 2px 8px 2px rgba(0, 0, 0, 0);}}@media all and (max-width: 1024px){.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap:hover{box-shadow:0px 0px 9px 0px rgba(0, 0, 0, 0.2);}}@media all and (max-width: 767px){.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap{border-bottom:10px solid #87d9fe;box-shadow:3px 2px 8px 2px rgba(0, 0, 0, 0);}.kt-info-box_f745e3-68 .kt-blocks-info-box-link-wrap:hover{box-shadow:0px 0px 9px 0px rgba(0, 0, 0, 0.2);}}<\/style>\n<div class=\"wp-block-kadence-infobox kt-info-box_f745e3-68\"><a class=\"kt-blocks-info-box-link-wrap info-box-link kt-blocks-info-box-media-align-top kt-info-halign-center\" href=\"http:\/\/visitflorencemuseums.com\/sv\/bargello-museet\/\"><div class=\"kt-blocks-info-box-media-container\"><div class=\"kt-blocks-info-box-media kt-info-media-animate-none\"><div class=\"kadence-info-box-image-inner-intrisic-container\"><div class=\"kadence-info-box-image-intrisic kt-info-animate-none kb-info-box-image-ratio kb-info-box-image-ratio-land43\"><div class=\"kadence-info-box-image-inner-intrisic\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/08\/BARGELLO-MUSEUM-1.jpg\" alt=\"BARGELLO-MUSEET\" width=\"500\" height=\"300\" class=\"kt-info-box-image wp-image-3580\" title=\"\" srcset=\"https:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/08\/BARGELLO-MUSEUM-1.jpg 500w, https:\/\/visitflorencemuseums.com\/wp-content\/uploads\/2022\/08\/BARGELLO-MUSEUM-1-300x180.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/div><\/div><\/div><\/div><\/div><div class=\"kt-infobox-textcontent\"><h3 class=\"kt-blocks-info-box-title\">BARGELLO-MUSEET<\/h3><p class=\"kt-blocks-info-box-text\">Bargello Nationalmuseum, som \u00f6ppnade 1865, har en anm\u00e4rkningsv\u00e4rd samling skulpturer och konstverk.<\/p><\/div><\/a><\/div>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>H\u00f6sten 1504 tog den unge Raffaello Sanzio ryggen p\u00e5 en mula och b\u00f6rjade ta sig fram l\u00e4ngs de bergiga v\u00e4garna som ledde till Urbino.<\/p>","protected":false},"author":1,"featured_media":4644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[19,9],"tags":[],"class_list":["post-1883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-museums"],"_links":{"self":[{"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/posts\/1883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/comments?post=1883"}],"version-history":[{"count":4,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/posts\/1883\/revisions"}],"predecessor-version":[{"id":4651,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/posts\/1883\/revisions\/4651"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/media\/4644"}],"wp:attachment":[{"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/media?parent=1883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/categories?post=1883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/visitflorencemuseums.com\/sv\/wp-json\/wp\/v2\/tags?post=1883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}